Dark Crystal Contest to Revive Franchise

The Jim Henson Company and Grosset & Dunlap, an imprint of Penguin Young Readers Group, are re-booting The Dark Crystal franchise — or so it would seem — with a contest called the Dark Crystal Author Quest. The deal? Fans are encouraged to send in ideas for the “first book in a new young adult series based on the world of the classic fantasy film.” The winner gets a $10,000 contract to write the book.

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Dig Comics!

Miguel Cima wants you to dig comics. The Argentine-born, New York raised filmmaker has a passion for the comics medium, and his desire to share it resulted in a short documentary, Dig Comics, which won the “Best Documentary” award at the San Diego Comic Con Independent Film Festival and was an official selection at Cannes, Vancouver, LA New Filmmakers and a dozen other film festivals. Now Cima has announced a new Kickstarter campaign to raise at least $250,000 for a feature length documentary that will promote comic books to mainstream America.

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Amazing New Pixar Short The Blue Umbrella Finds Expression in a City Rainstorm

If you’ve ever walked through a big city in a heavy rain, the first words that came to your mind at the time were probably “messy” and “dirty.” After seeing The Blue Umbrella, the short film that precedes the new Disney/Pixar movie Monsters University, you might just find yourself thinking “beautiful,” or even “magical,” the next time it happens to you.

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The 10 Best Dads in Fantasy and Science Fiction

There are so few good dads in science fiction and fantasy. Fathers in so many stories are absent for one reason or another (death being fairly common), and sometimes they even turn out to be the villain! So where are the Mike Bradys of science fiction and fantasy? The Cliff Huxtables? You do happen upon dads of those stripes, or roughly equivalent ones, every now and then. Here’s our list of the top 10.

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Monsters University Director Dan Scanlon on the Making of a Pixar Prequel

It’s really, really hard not to be jealous of Dan Scanlon. He’s been working at Pixar since joining as a storyboard artist back in 2001 — the year Monsters, Inc. came out — and has now directed his first full-length feature film for the company. Of course, as envious a job as his is, it wouldn’t be a job if it weren’t difficult. On my visit to Pixar last month, Scanlon told me and a bunch of other bloggers about the process of making the film.

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What is the Best Age for Star Trek?

And then we started rethinking the no-violence rule. It wasn’t because we wanted our kids to fit in — I mean, we did, but there was only so far we were willing to go on that end — but we realized that we didn’t have a firm reason for the rule. We couldn’t explain it to others because we couldn’t explain it to ourselves. It wasn’t enough to ban violence in all forms simply because we didn’t like violence — I mean, truly, who likes violence? We needed a reason for why we lumped all violence into one big pile and stamped a NO across it.

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Various Star Wars Logos

Anatomy of the Star Wars Logo

Star Wars freaks and typography nerds should really check out this excellent post over on the Tenth Letter of the Alphabet blog, all about the evolution of the Star Wars logo, from the very beginning to one we see today, complete with loads of hi-rez scans of many of the different versions.

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What You Take With You: Return of the Jedi – Opening Night ’83 (Part 2)

I don’t remember the tense anticipation brought on by the 20th Century Fox fanfare or the chills on the back of my neck at the blast of sound when the Star Wars logo slammed onto the screen. What I really remember is a feeling. I’ve never seen a movie in an atmosphere like that again. Packed houses on opening nights with hardcore fans, sure, but never again like this one. We were there.

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