The Hobbit: An Unexpected Journey Extended Edition: Overstuffed

thehobbitextendedbd_largeAfter finishing The Hobbit: An Unexpected Journey Extended Edition, released on Blu-ray November 5th, I feel like a human who’s been fed one too many hobbit breakfasts: overstuffed as if I’d consumed too many empty calories, even if they looked enticing at the time.

Your own appetite for this extra long edition plus two extensive appendixes entirely depends on how much you love Peter Jackson’s interpretation of J.R.R. Tolkien’s tales and how many hours of your life you want to devote to learning just how this was put together.

Yet I can’t help missing the simpler tale of the original novel. In the Lord of the Rings film trilogy, the epic scale and focus was entirely in sync with the high fantasy voice of the books. The Hobbit, however, is a shorter, more whimsical story, more like a fairy tale than a high epic.

When Jackson gave the story the epic treatment, it took me time to get used to the change. I finally ended up liking the theatrical version very much, thought I still think the escape from the goblins in the tunnels is far too much like a video game and the dwarves are entirely too pretty and not, well, selfish enough. More, the first section of the film moves slowly, and I felt the flashback to elderly Bilbo and Frodo, before the events of Fellowship of the Ring, was unnecessary.

The extra scenes add up to thirteen more minutes of the film, much of it at that already long-beginning. The additions include Gandalf encountering the young child Bilbo, more scenes that provide background on the Dwarves and their exile, and a bit more on the Elven King and his attitude about the dragon. I liked the Gandalf/young Bilbo encounter the most and wished that it had been placed at the beginning of the theatrical release, rather than the scene with older Bilbo and Frodo.

There are also added minutes in Rivendell, as Bilbo explores the Elven haven, which are a lot of fun for Tolkien enthusiasts but probably were a smart call to cut.

And then there are the appendixes. My eyes boggled at first when my Blu-Ray player claimed Appendix 7 was over four hours. Appendix 8 has a similar running time. Yes, over eight hours complete with all kinds of details about how this move came to life. Some of that is fascinating but much seemed nice but non-essential.

The highlights for me in Appendix 7:

  • The scenes pre-CGI, including Andy Serkis running around in the Gollum suit.
  • An explanation of how Jackson, after initially being uninterested in directing more Tolkien, ended up at the helm of The Hobbit, after a decade of stops and starts.
  • The vast, vast amount of technical and camera equipment required to create this movie. In theory, I knew  there were a large number of cameras but, in practice, the sheer volume astounded me.
  • All the Dwarves, pre-make-up and costume, wandering around Bag End.
  • Dwarf boot camp, complete with fighting, archery practice, and horseback riding.
  • Andy Serkis talking about being the second unit director.
  • The 3D process of placing an over-large Gandalf in the same frames as the smaller dwarves and hobbit. The dwarves and Bilbo were in one Bag End, while Gandalf was in another and each Bag End was shot simultaneously with synched cameras. The actors wore earpieces to hear each other on the separate sets to match the dialogue. The process looked great on screen but Ian McKellan (Gandalf) had some bad emotional moments due to spending so much time acting against empty space.

The highlights for me of Appedix 8:

  • Jackson, talking about how he never worried about adapting Lord of the Rings but that his  nightmare was always adapting The Hobbit. This was entirely due to concerns of how to get thirteen dwarves to fit on the big screen somewhat equally and provide them all with distinct personalities.
  • A very funny “Dirty Baker’s Dozen” mock trailer that outlines all the personalities of Thorin’s company.
  • The glimpses of the outdoor sets of Hobbiton, the interior Bag End, and what’s real in Rivendell and what’s CGI.
  • The entire section on how the songs for the movie were written, especially the Misty Mountain song. This may have been my favorite section in the entire Blu-Ray collection.

I’d recommend this for anyone who adored the movie but it’s definitely something to be explored in bits and pieces, rather than all at once. For those who simply liked it, they’re probably not missing much.

Corrina Lawson

About Corrina Lawson

Corrina is a former newspaper reporter with a degree in journalism from Boston University. She is currently content director of GeekMom and a core contributor to its brother site, Geek Dad. She is the author of three stories in the alternate history Seneca series, Freya's Gift, Dinah of Seneca and Eagle of Seneca, and three stories in her superhero romance stories from Samhain, Phoenix Rising, Luminous and Phoenix Legacy. She is the co-writer of The GeekMom Book, was published by the Potter Craft division of Crown Publishing in October 2012.

Corrina Lawson

About Corrina Lawson

Corrina is a former newspaper reporter with a degree in journalism from Boston University. She is currently content director of GeekMom and a core contributor to its brother site, Geek Dad. She is the author of three stories in the alternate history Seneca series, Freya's Gift, Dinah of Seneca and Eagle of Seneca, and three stories in her superhero romance stories from Samhain, Phoenix Rising, Luminous and Phoenix Legacy. She is the co-writer of The GeekMom Book, was published by the Potter Craft division of Crown Publishing in October 2012.

3 thoughts on “The Hobbit: An Unexpected Journey Extended Edition: Overstuffed

  1. Well, I will try to explain something that has been explained a lot but people seems no understand.
    Let suppose PJ made The Hobbit just like the book… with the previous LOTR experience, how would you call the Elf-King of Mirkwood? how do you develop 13 characters when they weren’t in the book? Thranduil didn’t have name in The Hobbit book and we know his name thanks to LOTR and that is a prove that Tolkien continue working on The Hobbit after it was published.
    There is an explanation why old Bilbo is writing and talking with Frodo. I invite you to check in internet or if you want go deeper, look The LOTR Appendices and The Unfinished Tales published by Christopher Tolkien The Quest of Erebor Chapter.
    JRR Tolkien made The Hobbit book as a child’s book, but that doesn’t mean that story has nothing to be with the Middle-Earth and with The War of the Ring.
    JRR Tolkien justified the soft story in The Hobbit as a story told by Bilbo point of view… that’s why old Bilbo is remembered that quest, he knew nothing about the White Council or The Necromancer, but that doesn’t mean never happened.
    When you go for The Unfinished Tales and The Appendices you will see how Gandalf after Aragorn became King and they are resting in Gondor, tells a very much detailed story to Gimli, Merry, Pipin and Frodo about that quest.
    I understand people want a childish movie, but The Hobbit as films is doing more than that, it is integrating The Hobbit inside The War of the Ring just like JRR Tolkien tried year after LOTR was published.
    There is two kind of people… that one who read the book and get comfortable about it and the Tolkien fan who has devoured many of his stories relating them.

    • The Tolkien Estate doesn’t approve of the movies: if there was an unreleased fourth edition of the book, there’s not a chance they’d let PJ take a look at it. I did hear, however, that he based the movies on the drafts to the book published in detail in John Rateliff’s “The History of the Hobbit” (or rather he “inspired” on them; making direct use of the drafts would be infringing copyright). And of course on “The Quest of Erebor”, as previously mentioned.

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