Wonder Woman #38 – James Robinson, Writer; Emanuela Lupacchino, Penciller; Ray McCarthy, Writer; Romulo Fajardo Jr., Colorist
Ray – 3/10
Corrina: ::bangs head on desk::
WARNING: SPOILERS BELOW
Ray: So, I’ve had some pretty harsh words for this run of Wonder Woman since the start, finding it an weird mash of old plotlines that kept Diana oddly off-center. But a new arc could turn things around.
Could…but doesn’t in this case.
I found this issue to be quite the drop in quality from last issue’s action-packed finale. The odd thing is, Diana is sort of off-center once again – pushed out of the limelight for a rather unlikable character for the second time. That makes it maybe two or three issues out of this run that actually felt like they were about Diana. But that’s not the main problem here. The main problem is that this new take on Vanessa Kapetalis, aka the Silver Swan, is one of the most off-putting new developments in a Rebirth book that I can remember, feeling more like a poorly-advised subplot for the New 52. So this take on Vanessa is a teenage girl who was disabled in an attack by Major Disaster and saved by Diana.
Instantly, my warning bells went off – do we really need another embittered disabled villain?
But she at first seems to keep a good attitude, and then gets the ability to walk back thanks to nanites. Diana is by her supporting her – but then her mother (Julia Kapetalis, an important Wonder Woman supporting character who doesn’t get a single line here) is killed off-screen, Diana is otherwise occupied, and Vanessa suddenly becomes embittered to the point of being murderous and starts killing the people Diana saves with her new nanite powers. This is just so many bad stock plots thrown into one, and the last thing disabled readers need in the way of representation.
And then there’s the subplot involving Jason crashing at Diana’s apartment, throwing parties, and getting lectured by his twin sister on making something of himself. I’ve seen nothing indicating Jason is a character who needs to exist, and him continuing to pull focus from Diana in her own book is just one of many things this title has gotten wrong over the last few months.
This isn’t a good book, and it’s barely even a Wonder Woman book. I will say the art is the best it’s been in a while, but it’s 100% wasted on this story.
Corrina: I don’t do this often but
WHAT RAY SAID.
All of it.
This is lousy on many levels. Ray’s touched on most of them but I want to add that nothing concerning Jason has made him remotely interesting or likable or worthy of taking up any space in this comic. Oh, look, he’s gonna through parties like an innocent frat boy. GAH.
Through all of the mess with the supporting characters–oh, great, let’s make another disabled villain–is the fact that Diana herself is off. She’s a shadow of what she should be, at the edges of her own series but even when she comes forward, her dialogue is patronizing, which is the last thing she should ever be. (Remember “Who will sing for us, Charlie?” from the movie? This comic doesn’t.)
Further insult: the story wastes the talent of the wonderful Lupacchino, who has done beautiful work in service of a terrible story.
Please, DC, get a better story direction for Wonder Woman.
Disclaimer: GeekDad received this comic for review purposes.