Scooby-Doo Apocalypse

Review – Scooby Apocalypse #20: No Holiday Cheer

DC This Week
Scooby-Doo Apocalypse
Scooby-Doo Apocalypse cover, image via DC Comics

Scooby Apocalypse #20 – Keith Giffen, JM DeMatteis, Writers; Ron Wagner, Prnciller; Andy Owens, Inker; Howard Chaykin, Backup Artist; Hi-Fi, Wil Quintana, Colorists


Ray – 3/10


After the best issue of the series last issue, a twisted Twilight Zone homage with a potentially benevolent mutant that met a terrible fate despite Cliffy’s friendship, this issue pulls back almost to the point of not having a plot at all. It’s supposedly a Christmas issue, but there’s no holiday cheer to be found as the team continues to wander through a deserted wasteland. No monsters this issue, at least not living ones, but that just means the characters get a lot of time to hang around, moping and sorting out their issues. They come across a deserted lab and Velma goes in to try to do some tests and synthesize a cure, while everyone else just mills around. That’s mainly an excuse for everyone to rehash the same character beats they’ve been dealing with since the beginning.

Scooby Apocalypse 20
This doesn’t seem ominous at all…image via DC Comics

Chief among these – Fred’s crush on Daphne that Daphne’s oblivious to, Daphne and Velma’s sniping and arguing that always seems to backslide away, Cliffy’s longing for Scrappy-Doo, Shaggy’s infatuation with Rufus Dinkley’s ex-wife (I keep on expecting the other shoe to drop with this character). They try to team up to give Cliffy something resembling a decent Christmas, but it’s ruined when Velma shows up with news that the plague is irreversible and humanity is doomed. This issue (and series as a whole) seem to be going for a Walking Dead vibe, but that’s not a selling point for me.

The backup combines Secret Squirrel and Morocco Mole with the distinctive art of Howard Chaykin, which is about as good a fit as you’d expect, but I know more about these rodents’ espionage rivalry than I ever expected to.

Disclaimer: GeekDad received this comic for review purposes. 

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