2011 Golden Kite Awards Announced

 

The Golden Kite Awards are given each year to the most outstanding children’s books published during the previous year, and written or illustrated by members of the Society of Children’s Book Writers and Illustrators. The following blurbs are from the SCBWI Press Release.

Jennifer Holm’s novel Turtle in Paradise receives this year’s Golden Kite Award for Fiction. Based on stories Holm’s mother used to tell about her childhood, this hard-scrabble, Depression-era coming-of-age tale follows 11-year-old Turtle who is sent to live with relatives in Key West, Florida from New Jersey. Hilarious and heart-warming, Turtle in Paradise draws in the middle-grade reader with vibrant imagery and a fast-paced plot with an adventurous twist.

 

The award for Non-Fiction goes to The Good, the Bad and the Barbie by acclaimed nonfiction author Tanya Lee Stone. In passionate anecdotes and memories from a range of girls and women (including a forward by Meg Cabot) this compelling book takes an insightful and incisive look at how Barbie became the icon that she is–and at the impact the doll has had on our culture (and vice versa.)

 

Rooted in the experience of an immigrant family, siblings of all nationalities will see themselves in Rukhsana Khan’s Big Red Lollipop, this year’s winner for Picture Book Text. Illustrated by Sophie Blackall, Khan’s honest story reminds us of how assimilation is transformed from generation to generation, and offers a heartfelt, moving, commentary on sisterly relationships.

 

 

The Golden Kite Award for Picture Book Illustration goes to A Pocketful of Posies: A Treasury of Nursery Rhymes in which Salley Mavor’s gorgeous fabric relief techniques offer precise and intricate illustrations of beloved nursery rhymes. Even old poems are fresh and new in this beautiful reinterpretation that will delight many generations.

 

The 2011 Sid Fleischman Award for Humor goes to Alan Silberberg’s second novel Milo: Sticky Notes and Brain Freeze. Hilarious and poignant, the story of 13-year-old Milo’s struggle to come to terms with the loss that hit the reset button on his life comes to life through text and cartoons.

 

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