A long time ago, there were these three great films set in space. Then, not so long ago, their director wanted to make some more films set in space. We were all so massively excited, and then so massively disappointed. I had luckily booked my first American holiday, in San Francisco, for two weeks after The Phantom Menace opened — this was in the dark ages when films weren’t released here in the UK for months after the US (wait a minute, The Muppets? Grrr…). Me and my very understanding future wife got the cable car from our hotel in Chinatown to the big multiscreen cinema and I got swept away in the excitement, leaving with only memories of the good parts in my head.
Towards the end of the holiday we took a tram out to the pacific coast and walked back into the center through Golden Gate park and Haight-Ashbury. We ended up back at the same cinema and my very exhausted future wife suggested we go in and see the film again — purely so she could sit down for three hours and recover. When we left this time, the doubts had started to creep into my head. The bad points, too numerous to mention now, have been covered in so much detail over the last thirteen years, that they’ve completely erased that thrill of seeing it for the first time.
Now that George‘s wallet is getting a bit thin is introducing a new generation to the films on the big screen again, but this time in 3D, I wanted to reflect on the good parts of the story of Anakin Skywalker. I got to go along to press screening in the building site that masquerades as London’s Leicester Square and while it wasn’t as glam as heading out to Skywalker Ranch like GeekDad Matt and GeekMom Andrea did last month, it still helped to build up a bit of excitement for the movie.
The foyer was teeming with D-list celebrities and regular people having their photos taken with members of the 501st and a rather plump Darth Maul. R2-D2 and C-3PO were present in both Lego and statue forms, with the latter also walking and talking in the form of Anthony Daniels who was on hand to give a little intro speech and plug a tie-in with children’s charity Variety. A few Xboxes were set up running Kinect Star Wars
Pretty soon we were being ushered into the giant screen and after a short intro from Anthony Daniels the movie began. Matt has our full review, but here are some of the good things about The Phantom Menace…
The Opening Credits
The first one happens almost immediately: John Williams’ opening fanfare. Nothing can compare to hearing that iconic piece of music really, really loud and in a fully THX-certified cinema. In fact the soundtrack in general is great, not the 80 year old maestro’s best work (the choral section gets on my nerves a bit), but there are enough nods and cues from the original movies to keep me happy. And for years after seeing the original Star Wars I was convinced that the music over 20th Century Fox logo was part of the soundtrack and instantly thought I was about to see Star Wars whenever I heard it on another movie.
The World Building Set Designs
Soon after the invasion begins we are treated to a visual spectacle to match the aural one of the fanfare. When the film was still in production there were periodic video diaries released on the web to whet our appetite – it was one of the first movies to really do this. I remember viewing each one with great excitement, watching the craftsmen and women bringing George’s vision to life, and seeing the movie come together bit by bit. One of my favorite bits was seeing the new locations being created and the level of detail involved in them. The flyby of the Royal Palace in Theed and our first glimpse of the planet-wide city of Coruscant blew my mind back then, with their renaissance and art deco inspired themes and you really can’t beat seeing them on a giant screen.
Playing ‘Spot the C-Listers and Cameos’
The Phantom Menace was the only one of the prequels that was filmed in their spiritual home, England (where all three of the original trilogy movies where made). This means that the supporting cast are predominantly English, or at least from the UK. Here’s a few of the more well known cameos and bit parts:
The Wire‘s Dominic West also pops up as a Palace Guard and Lost in Translation director Sofia Coppola appears as another of Amidala’s Handmaidens. George’s daughter Katie, numerous members of the crew and even Mark Hamill’s son Nathan (great name) all grabbed a few seconds of screentime too.
And let’s not forget the voice talent as well. We all know comedian Peter Serafinowicz gives Darth Maul his menacing tones (and famously recreates them in Spaced) but did you know he also did a Battle Droid and a Gungan? Of course, Yoda wouldn’t be Yoda without Frank Oz and who could miss Brian Blessed’s baritone Boss Nass?
The Sound Design
Ben Burtt redefined what sound could bring to a movie with his ground breaking work on the original Star Wars and he continues it throughout The Phantom Menace. Of course the lightsabers, blasters and crazy languages are all present, but it’s with effects like the Pod Racer engines where he and his team really excelled themselves this time. They bring together the best elements of F1 cars, fighter jets, drag racers and motorbikes to enhance the feeling of the speed these machines travel at. Each Pod sounds different, but it’s Sebulba’s that takes the crown. The part where he speeds up behind Anakin’s tiny chariot and we’re almost deafened by the ‘whump, whump, whump’ of his two giant jet engines is just amazing when it’s filling the whole auditorium.
Play spot the in-joke/reference/homage
The film might well be aimed at kids, but if you look closely you can spot a great many gags that will just pass the kiddies by.
The Duel
It’s very hard to remember that before Phantom Menace, the only lightsaber battles we’d seen were between a) two old dudes, b) an old dude and a student taught by old dudes and c) a student and snow beast, so seeing the threesome of Qui-Gon, Obi-Wan and Maul battling away, with their blades swooping and swishing at hitherto unknown speeds was simply breathtaking. Sure, it probably went on a bit too long, that choir really did get on my nerves, and what on earth were the red forcefields all about? Oh, yeah, a plot device. But seeing the Jedi in their prime, fighting at the very peak of fitness with all their skill and energy – and still almost being beaten – was a great spectacle. Massive credit to the fight choreographer Nick Gillard and to Ewan MacGregor, who apparently broke 300 lightsaber props during rehearsals and constantly made his own lightsaber sound effects as he fought Ray Park with such enthusiasm that his blade actually connected a good number of times.
So, there’s a few good things about the movie – have you got any more to add?
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